Heating Up: Artists Respond to Climate Change


Heating Up: Artists Respond to Climate Change — to feature art exhibit, month-long series of educational and cultural events


FBphotoExhibitThe exhibit is posted as a Facebook event: http://on.fb.me/1T6XHsn.

All project events are posted on the LETUS website: http://bit.ly/1ngBiuv





LAWRENCE — “Heating Up: Artists Respond to Climate Change” is an art exhibit and month-long series of cultural and educational events scheduled for March and April in Lawrence, Kansas. The project brings together dozens of local and regional artists, poets, educators and performers working on climate change. A panel discussion in April includes a combination of nationally active and prominent local voices.


The exhibit “Heating up: Artists Respond to Climate Change,” opens on Final Friday, March 25, 2016, 5 – 10pm, at the Lawrence Percolator located in the alley east of New Hampshire St. between 9th St. and 10th St., behind the Lawrence Arts Center. The opening will feature three brief performances. At 7 and 9 pm, Robert Baker will read poetry by Langston Hughes and the band Ovaries-eez will perform. At 8 pm, local poets Dennis Etzel, Sandy Hazlett, Denise Low, Topher Enneking, Nancy Hubble, and Mary Wharff will read from their poetry, and Doug Hitt will briefly speak about his co-authored book A Kansas Bestiary. The exhibit runs March 25 – April 23 and is open Saturdays and Sundays, noon – 5pm.


“We hope that the exhibit bolsters a community conversation about climate change and what we can do about it,” said committee co-chair Lora Jost.


The exhibit includes the work of 42 local and regional artists with diverse viewpoints, some working in teams. The exhibit includes art by professionals and non-professionals, among them professors and students alike.


“We wanted to exhibit the work of artists who are already working on climate change as well as to activate others to engage climate change as a new theme in their work,” said committee co-chair Sara Taliaferro.


Art in the exhibit includes paintings, prints, drawings, an artist book, sculptures, and installations. Some of the art pieces concern the roots of climate change and the effects of fossil fuel consumption on the weather, animals, and people. Some of the art pieces convey deep despair. One artist’s work is a metaphor for creativity born from crisis. Additional art pieces offer hope, visualizing ways to work together toward solutions.


Justin Marable’s prints, for example, with images of coal smoke, dinosaur bones, birds and buffalo, illustrate how fossil fuel use and consumerism affect the earth and animals. Damia Smith’s colorful, intricate, enameled copper images reveal how burning coal in the United States brings drought and famine to north Africa. A painting by Haskell Indian Nations University student Geraldine Walsey shows a woman looking to the past through winged eyes, “searching for the beauty of what nature once was, and now is rarely seen today.”


Laura Ramberg’s ceramic cloud vessels evoke sharing food and other resources as a way to reduce the need and greed arising from our reliance on fossil fuels. A team of artists (KU Professor Matthew Burke and then students Samuel Balbuena, Cameron Pratte, Vi Stenzel, and Cortney Wise) contributed a functional beehive that, once launched, offers a home for the dwindling honeybee population. Marin Abell’s whimsical 9-foot long flat-bottomed trolling motorboat, complete with serpent heads, is made with Eurasian Milfoil (an invasive aquatic plant that threatens lakes) and runs on distilled Milfoil ethanol.


Jill Ensley’s interactive board game playfully asks serious questions about our future: “Will the last iceberg melt?  Will the pollinators die off?  Will you opt to take in those climate refugees?  Do you believe we can step back from the edge, or that it’s too late?”


Exhibiting artists include: Marin Abell, Angie Babbit, Rena Detrixhe, Jill Ensley, Neil Goss, Lisa Grossman, Eleanor Heimbaugh, Nancy Hubble, Lora Jost, Dave Loewenstein, Justin Marable, Nancy Marshall, Kaylyn Munro, Molly Murphy, Laura Ramberg, Hirsuta Pilosa, Michelle Rogne, Kent Smith, Damia Smith, Sara Taliaferro, Garret Tufte, David Titterington, Nicholas Ward, Ethan Candyfire, Georgia Kennidee Rikie Boyer, Kyuss Hala, Kayla Kent, Cleta LaBrie, Lori Hasselman, Alyx Stephenson, Geraldine Emily Walsey, Katie Manuelito, and KT Walsh. Three teams of the following artists have created collaborative works: Samuel Balbuena, Matthew Burke, Cameron Pratte, Vi Stenzel, and Cortney Wise; Amanda Monaghan and Pablo Cerca; and Amanda Maciuba, Tim O’brien and Mary Wharff.


The exhibit and related events are sponsored by two Lawrence community groups, the USDAC-Lawrence Field Office and Lawrence Ecology Teams United in Sustainability (LETUS), in collaboration with Haskell Indian Nations University (HINU) and the Lawrence Percolator. (See USDAC-Lawrence Field Office at http://on.fb.me/20riNAM, the USDAC national office at http://www.usdac.us, and LETUS at https://lawrenceecologyteams.wordpress.com/about/.)


The “Heating Up” project grew out of a local event in 2014 that brought together these sponsoring groups with leaders from the Haskell Indian Nations University community, on a march and art event against climate change. The success of the 2014 event helped inspire the current collaboration.. (See link for 2014 collaboration http://usdac.us/news-long/2014/10/16/the-peoples-climate-march-makerspeaker-party-lawrence-ks).


“How Can We Work Together on Climate Change?” is a panel discussion that is free and open to the public on Sunday April 10, 3-5pm, Parker Hall, Room 110, at Haskell Indian Nations University. The event includes five prestigious panelists, all local, with an exciting combination of experiences and expertise on climate change, arts and culture, community organizing, and practical steps to a sustainable future. Panelists include Saralyn Reece Hardy, Director of the Spencer Museum of Art; Thad Holcombe, retired Ecumenical Christian Ministries Campus Minister at KU and Moderator for Lawrence Ecology Teams United in Sustainability; Eileen Horn, Sustainability Coordinator for Douglas County and the City of Lawrence and formerly with the Climate and Energy Project and Interfaith Power and Light; Jay T. Johnson, Associate Professor and Associate Chair of Geography and Atmospheric Science at KU and directs KU’s Center for Indigenous Research, Science, and Technology; Dan Wildcat, professor at Haskell Indian Nations University, Director of the Haskell Environmental Research Studies Center, and Convener of the American Indian/Alaska Native Climate Change Working Group. The panel will be facilitated by Sara Taliaferro with music by Alex Williams and art by Haskell students. The panel discussion is listed as a Facebook event: http://on.fb.me/1L6z6l8


“Mrs. Noah in Poetry and Dance” is a collaborative performance by poet Elizabeth Schultz and dancer Joan Stone, on Friday April 15, 2016, at the Lawrence Percolator, with performances at 7 and 9pm.  The collaboration includes Stone’s insightful dance interpretations of Schultz’s poems that reflect on the relationships among humans and animals, examining how catastrophes disturb these relationships, how the resulting tremors connect us, and how we survive together, learning from one another. Elizabeth Schultz, retired from KU’s English Department, has published a large body of scholarly writings, books of poetry, short stories, essays, and a memoir, and is a dedicated advocate for the arts and the environment. Joan Stone taught dance history and choreography at the University of Kansas from 1982 to 2010, and through dance explores nature, dance and politics, women as history makers, and the relationship between gesture and word. The performance is listed as a Facebook event: http://on.fb.me/1njVj3i


“A Change in the Weather: Writing From Climate Change Art,” is a free all-ages writing workshop on Sunday April 17, 2-4pm at the Lawrence Percolator. Please plan to attend the whole workshop to help create a circle of deep sharing and reflecting. Led by former poet laureate Caryn Mirriam-Goldberg and naturalist and writer Ken Lassman, participants will consider their own “internal and external weather” in relation to climate change by dwelling among the art exhibit as a key writing prompt. The writing workshop is listed as a Facebook: http://on.fb.me/1Qr1led


Hang12 “Effecting Change” includes art made from repurposed materials by teens, coordinated by the Lawrence Art Center’s youth curatorial board Hang12. The public is invited to the exhibit’s Final Friday opening on March 25, 5-8pm, Watkins Museum of History, 1047 Massachusetts St. The exhibit runs for a month and is open Tuesday – Friday, 10am-4pm (and on Thursdays in April from 10am – 8pm). “Climate Change is an issue that impacts all of us. To bring awareness to this subject we asked artists to use repurposed materials within their artwork to take a stand on Climate Change and environmental issues.” Watkins website: http://bit.ly/1Rsh4X7


Eco Ambassadors “Haskell Wetlands Restoration Day” invites the public to join this Haskell student-led workday of seeding and planting to help restore the Haskell Wetlands, on Saturday April 16, 2016, 10am-2pm. Bring gloves and gardening/landscaping tools. Directions: Come straight on Massachusetts St. heading S., continue S. past Indian Health Service. Massachusetts St. turns into W. Perimeter Rd. so keep going and follow road around campus until you get to the intersection of W. Perimeter Rd. and Barker Ave. Dr. Then turn right onto Barker Ave. Dr. (you are going south), go straight and you will run right into the wetlands access gate. The workday is listed as a Facebook event: http://bit.ly/1ZtKmuh

Phoenix Underground Exhibit, Opening June 27, 2014



SteamedAnimals–mostly birds but other critters too–have taken up residence in my art for many years. I didn’t exactly invite them. Like squirrels drawn to my bird feeder, I don’t recall intending to focus on critters but they have been drawn into my art. And yet I did put up the feeder, and I did create these images, Stirand so of course I invited them. Birds, frogs, cats, cicadas, squirrels and other critters are with us in life and so too in my art. In Steamed (2011), a squirrel chatters noisily like so many colicky babies (or whistling teakettles), clamoring for attention. In Stir (2010), birds with human legs spring forth to dance or fly. And in Composition With Goose (2009), a calm cat and a very wound-up goose hold forth and argue.


Frog, My FriendBut more recently, in the past half-year or so, I’ve changed a little. I am thinking more intentionally about critters, my relationship to them, and the impact of human activity and climate change on them. I think of my pictures as a stage and the animals and people in them as characters playing a part. But instead of using birds or squirrels to tell stories that are really about people, the critters I’m drawing now are playing the part of themselves and are part of the story. In Frog, My Friend, for example, a frog, a casualty of the 600.deathwithchickenSouth Lawrence Trafficway, is carried off by “Death.” Or maybe the frog is our pet frog that died because we just couldn’t take care of him right. Either way, the frog in this story is a frog. In Run!, a Prairie Chicken plays its own part, too, on the run from Death due to habitat destruction and Kansas politics. In Passenger Pigeon: Abstract Memory, a cloud of extinct Passenger Pigeons becomes abstract and fades from memory. In Robin, Been and Gone, a robin is depicted along with several robin-silhouettes, symbolizing presence and absence, a reminder of what pesticides can do to birds. These are of course my images for my very human purposes, too. But I hope that by thinking more about the role of animals in my work, I can remind viewers that we have a relationship with animals, and that this relationship is fragile.


Robin, Been and GoneMaking work about the negative impact of humans on critters is a new direction in my art, the beginning of a
Never Coming Back
larger body of work. I was moved to think more about animals in the broadest sense of the word after reading Elizabeth Kolbert’s The Sixth Extinction. Her book includes story after story of scientists worldwide documenting the process of animals becoming extinct because of human-caused global warming. Animals are leaving us now, and they are never coming back.


In my new work I am guided too by collaborating with my composer-friend Lynn Gumert, of Hightstown, NJ.  Lynn and I have talked on the phone and we have exchanged emails, images, and sound. We are working together on loosely-related themes in our work, themes that include the impact of climate change on weather, animals, and us.  Lynn is working on a series of related short saxophone quartet pieces, and eventually our work will be presented together.  Her first notes to me depicted a river. Building on her compositions I am also playing with images of saxophones and literally drawing their “sound,” as in River Song. In this piece, a Mourning Dove plays a saxophone-river. This, too, is another experiment in visual storytelling.


Please join Karen Matheis and me for our two-person show at the Phoenix Underground, opening Final Friday, June 27, 2014, 5 – 9 pm, from June 27 – July 23 at the Phoenix Underground (825 Massachusetts, Lawrence, KS). I’ll show these works and others too, and almost all of them include animals.


The “Make More Love” show at the Perolator opens Jan. 31 for Final Friday

DeclarationsCome see Declarations, a mixed-media on scratchboard piece at the opening reception for the exhibit “Make More Love!”


Lawrence Percolator

Final Friday, Jan. 31, 2014

5 – 9 pm

The Percolator is between 9th and 10th Streets and half a block east of New Hampshire St. It is in the alley behind the Lawrence Arts Center, Lawrence, KS.

Exhibit opening Oct. 26, Final Friday, at Do’s Deluxe

Detail of

The Deer of Mesa Verde















Please join me for an exhibit opening reception!

I’ve been working hard since I wrote my last blog entry called Beginnings, about the early stages of my creative process and about several new pieces that I was just getting started on. And now that work is complete! I would love for you to see it, the endings, the finished work, and more than just the “details” that I’m showing here, at my exhibit at Do’s Deluxe:


Better Angels, a Deer, and a Boat
Collages, mosaics and scratchboard by Lora Jost
Opening Reception on “Final Friday,” October 26, 2012, 6 – 8 pm
At Do’s Deluxe, 416 E. 9th St., Lawrence, KS
Runs Oct. 23 – Nov. 23, 2012,  T-F 11 am -6 pm; Sat 10 am -1 pm

(also see Better angels, a deer, and a boat)


Detail of Microburst
















Process detail of Blue Moon



“Art Lives!” / “This Green Space” / a mosaic

I’ve been having a lot of fun in my studio lately and I thought I would share some of my ideas, unfinished work, and creative process.  I’m working on a mosaic commission as well as several pieces for two group shows in March.


Art Lives!

This is the start of a collaborative piece that I am working on with Erika Nelson for "Art Lives!"

“Art Lives!” is a statewide collaborative project pairing women artists  to work together to make art about the theme art lives. The project was conceived by Rachel Epp Buller, an artist and professor at Bethel College in N. Newton, Kansas, as a response to the condition of arts funding in Kansas; Governor Sam Brownback vetoed funding for the Kansas Arts Commission making Kansas the only state without an arts agency.


I am working in my studio on a collaborative piece for "Art Lives!"

I am working on a couple of pieces for this exhibit.  I am most excited to be working collaboratively with artist Erika Nelson of Lucas, Kansas, known for her “Worlds largest collection of the world’s smallest versions of the world’s largest things.”  I still haven’t met Erika in person, but I have enjoyed talking with her on the phone and through Facebook and email.  We’ve decided to begin two collaborative pieces, one that is “political” about the state of the arts in Kansas, and one focused more loosely on the theme art lives.  We are passing the two pieces back and forth in the mail, and by now have each had a chance to add to what the other has done.  It’s a fun process and we’re thinking of it as a dialogue.


This is the first layer of the piece that I am making for "Art Lives!" I will be layering ink and other media on clayboard and then scraping back into it with a scratchboard knife.

I am also beginning to work on a piece of my own for this exhibit.  I am imagining art lives as a depiction of a theatrical scene with dancers and actors springing forth and even flying through the space.  I’m imagining this “play” as including subtle references to the Occupy  movement because that movement has highlighted how publicly-funded programs like the Kansas Arts Commission are being taken over by wealthy corporate interests. I am excited to try a more  process-oriented approach with this piece, so the final product might be very different from my first thoughts.



The exhibit “Art Lives!” will be on display at City Arts in Wichita, Kansas, from March 28 – April 21, 2012, with a Final Friday reception on March 30.


“This Green Space”

Call for entries

I am also planning a piece for an exhibit called “This Green Space” at the Percolator in Lawrence, Kansas. For this exhibit artists are invited to share their visions for imagining and re-imagining the green space at the corner of 9th and New Hampshire in Lawrence, a space that may become a large hotel — just across the alley from the Percolator.  Alternately, artists are invited to exhibit work that tells the story of how they have re-imagined “green spaces” of their own.


The green space that I am imagining at 9th and New Hampshire is a fantasy playground.  What I hope to convey in my finished scratchboard piece is a feeling of joy and play, focused on the needs and interests of children. I have quickly sketched out some ideas, made a more detailed plan, and am now in the process of rendering the piece in scratchboard.


“This Green Space” will be on exhibit March 3 – 25, 2012, at the Lawrence Percolator, and will be open for a reception during the March “Final Friday” event.


Mosaic commission

Mosaic in process

And as I move forward with the above new projects, I am also in the process of finishing a mosaic commission that I have been working on since December with a tree-theme.

Works in Progress and Upcoming Shows

Here are two new art pieces that I plan to finish for the Final Friday Art Party on March 25, 2011, at the Hobbs-Taylor lofts in Lawrence, Kansas.

Additional upcoming exhibits:

–My clayboard (also called scratchboard) pieces will be included in an exhibit of three artists who work in black and white, at the Carnegie Cultural Center in Ottawa, Kansas, in August and September, 2011

–My art will be exhibited at Wheatfield’s Bakery in Lawrence, Kansas, mid-October through mid-December

New Years Eve Art Party at Hobbs-Taylor Gallery

The Hobbs-Taylor Gallery at 8th and New Hampshire (Lawrence, KS) is hosting a “Final Friday” New Years Eve Art Party! Nineteen artists will be showing work from 5 – 9 pm, including me.  Here’s a couple new pieces that will be in the show: