Mini-Grant Application: Drawings on Paper

This portfolio page includes five sample drawings on paper. Click on each to enlarge.

Click the category-tabs on the right to visit additional portfolios.

 
 

Hold On, 2024, 11″ x 14″, Pencil 

 
 

The Sky is Falling, 2024, 14″ x 18″, pencil/colored pencil

 
 

Blue Butterflies, 2024, 11″ x 14″, Pencil/colored pencil

 
 

Rainy Mood, 2024, 8″ x 8″, Pencil/colored pencil

 
 

Light, 2020, 22″ x 30″, Pencil and gouache 

 
 

Take a class: “Imaginative Drawing” at the Lawrence Arts Center

class resource booksImaginative Drawing is a beginning-level drawing class. It is one of my favorite classes to teach, and I’ll teach it again this spring at the Lawrence Arts Center. This class begins on Tuesday, January 14, 2025, and meets each Tuesday evening for eight weeks, from 6:30 to 8:30 pm.

 

The class is based on drawing prompts and exercises that we do together each week in our own sketchbook-journals. By the end of the eight-week session, we’ll use what we’ve learned to begin creating a drawing-related work of art in any medium we choose, as a finished piece.

 

Doodle-creatures from random marksFor the first few weeks of class, we’ll explore drawing as making expressive marks on a page using all kinds of pens, pencils, and other mark-makers. We’ll make comic-style “timed” drawings as a way to doodle, and we’ll also doodle by building up a series of spontaneous lines that eventually turn into pictures and patterns. We’ll “noodle” our doodles, using a controlled hand to create a finished look by adding color, texture, and shading. We’ll make drawings that are based on observation, drawing the objects and people that we see, as we see them. We’ll consider how observational-drawing informs imaginative-drawing, and vice-versa.

 

Sometimes we’ll draw at drawing “stations” where we choose from a menu of exercise options, staying for as little or as long as we want to at a station. These sorts of exercises will focus on stretching, distorting, or abstracting images that we’ll draw using exaggeration in an imaginative drawingfrom observation. On a different station-day we’ll explore the use of “randomness” as the basis for making something new: random squiggles on a page, random cracks in the sidewalk, or random shapes of clouds can provide the building blocks for making faces, creatures, or monsters. Each week we learn something new about the creative process. Along the way we’ll ask the question, Where do creative ideas come from? We’ll engage exercises that seem to get to the heart of creativity, bringing disparate ideas together in ways that are new. We’ll also learn about how to keep a sketchbook-journal, using artist Corita Kent’s focus on the journal as a “sense diary,” and cartoonist Lynda Barry’s “daily diary” formats to bring words and images together. Towards the end of the eight-week session, we’ll discuss composition, that is, how to arrange the elements in our drawings with attention to the drawing as a whole. We’ll then imagine a drawing that we would like to make, plan it, and make it.

 

eclipsedoodle002 copyA writer-friend who took Imaginative Drawing several  years ago recently said about this class  on Facebook: “Take this class! About two hours ago, I pulled out my sketchbook from the class. It is part brain health, part creativity, part stress relief.” And I would contend that the class is also a way for students to build confidence in their drawing abilities and to learn imaginative drawing skills to be used in art forms as different as comics and quilting.


I strive to create a warm atmosphere where students will feel encouraged and comfortable drawing in ways that are new. While I encourage students to share their work with others in class, because there is so much to learn from each other’s experiments, I also make it clear that no one is ever required to share; “passing” is always an option. And homework is optional, too.

 

Song in my HeartRegister now for the Spring session, beginning the third week of March. Senior discounts and financial aid are available. Register either on-line or at the Lawrence Arts Center, 940 New Hampshire St., Lawrence, KS,  phone 785.843.2787. To register for “Imaginative Drawing” on-line, go here.

 

 

New Drawing at the Lawrence Art Guild’s All-Member’s Show

I have a new drawing (and a new collage) in the Lawrence Art Guild’s All-Members show July 15 through September 30, 2022, at Landmark National Bank (4621 W. 6th St., Lawrence, KS). All are invited to the opening reception on Friday, July 15, 5:30-7:30 pm.

 

“These Days”

2022

Pencil and gouache on paper

Chickadee and Berries

I’m excited to share my new piece, “Chickadee and Berries,” at the Lawrence Art Guild’s All Members’ Show that opens with a Final Friday reception On November 26, 5 – 9pm, at the Cider Gallery in Lawrence, Kansas. The exhibit runs through January 21, 2022. Gallery hours are Tuesday – Friday, 1 – 5pm.

Art for “Just Imagine” exhibit

I made this piece for the recent online exhibit, Just Imagine, that Cooperation Humboldt’s Arts and Cultural team (based in California) debuted during the Arts Dismantling Capitalism Symposium, “to bring together our local community and beyond to collectively create a more just, regenerative economy and society.”  

Blog 5: Poetic Language

Gallery view, Sound the Climate Alarm, 2020

This is the fifth and last in a series of blogs about my current exhibit, Sound the Climate Alarm, on display at the Lawrence Arts Center now through Dec. 21, 2020. Here are links to the first four:

Blog 1: Artist Statement: Sound the Climate Alarm

Blog 2: Roots of Sound the Climate Alarm

Blog 3: Symbols and Themes

Blog 4: Making Art in Covid-times

Fire (detail)
Cranes Over Fence (detail)

Poetic Language

 

Sound the Climate Alarm is, in broad terms, my response to climate change, animal extinction, barriers, border walls, and the pandemic. I was happy to discover the writer and poet Mathew Zapruder’s description of how he views the language of poetry, because I think it is a helpful way to think about the images in my exhibit, too.

Dee Dee Dee (detail)
 

Zapruder talks about poetry as “language freed from utility.” He says poetry is how we “get to the truth that is beyond our ability to articulate.” So where, in my drawings, chickadees sing razor wire, there’s a cardinal honking, or a paper boat is lit on fire, I think these are the kinds of images Zapruder was talking about, intended to “produce an effect in us, rather than to communicate information.”

 

 
Red Arch (detail)
Skateboard (detail)

So, while I am working with specific themes in my art, my images are intended less to communicate information than to evoke impressions, inspire imagination, and spark concern.

Installation of paper crane drawings, Lawrence Arts Center, 2020

Visit my exhibit in-person at the Lawrence Arts Center, now through Dec. 21, 2020. Original art and artist prints, suitable as gifts, are available for purchase. Hours are M-Th 9am-9pm, F-Sa 9am-7pm, and Su 1:30-7:30 pm. As Covid-19 rages on, the Arts Center is pretty low-key these days and it is likely that during a random visit to my exhibit you may find yourself alone in the space. If you would prefer a virtual tour, scroll down the page at this link, courtesy of the Lawrence Arts Center.

Artist prints are on sale in the gallery