Happy New Year, 2021!
Blog 5: Poetic Language
This is the fifth and last in a series of blogs about my current exhibit, Sound the Climate Alarm, on display at the Lawrence Arts Center now through Dec. 21, 2020. Here are links to the first four:
Blog 1: Artist Statement: Sound the Climate Alarm
Blog 2: Roots of Sound the Climate Alarm
Blog 4: Making Art in Covid-times
Poetic Language
Sound the Climate Alarm is, in broad terms, my response to climate change, animal extinction, barriers, border walls, and the pandemic. I was happy to discover the writer and poet Mathew Zapruder’s description of how he views the language of poetry, because I think it is a helpful way to think about the images in my exhibit, too.
Zapruder talks about poetry as “language freed from utility.†He says poetry is how we “get to the truth that is beyond our ability to articulate.†So where, in my drawings, chickadees sing razor wire, there’s a cardinal honking, or a paper boat is lit on fire, I think these are the kinds of images Zapruder was talking about, intended to “produce an effect in us, rather than to communicate information.â€
So, while I am working with specific themes in my art, my images are intended less to communicate information than to evoke impressions, inspire imagination, and spark concern.
Visit my exhibit in-person at the Lawrence Arts Center, now through Dec. 21, 2020. Original art and artist prints, suitable as gifts, are available for purchase. Hours are M-Th 9am-9pm, F-Sa 9am-7pm, and Su 1:30-7:30 pm. As Covid-19 rages on, the Arts Center is pretty low-key these days and it is likely that during a random visit to my exhibit you may find yourself alone in the space. If you would prefer a virtual tour, scroll down the page at this link, courtesy of the Lawrence Arts Center.
Blog 4: Making Art in Covid-times
This is the fourth in a series of blogs about my current exhibit, Sound the Climate Alarm, on display at the Lawrence Arts Center now through Dec. 21, 2020. Here are links to the first three:
Blog 1: Artist Statement: Sound the Climate Alarm
Blog 2: Roots of Sound the Climate Alarm
Making Art in Covid-times
My most recent work for this exhibit includes art that I have made during the pandemic. I am fortunate and, yes, privileged, to be mostly working at home. During this time, I’ve created two of my favorite pieces in the show.
One is a drawing originally intended to celebrate renewable energy, titled Light (above). I like this drawing because through the creative process it became more complicated than I had first imagined. Instead of inspirational, as I’d initially intended, the windmills and power lines became oddly dark and industrial, not the utopian renewable energy future I had hoped for. And the mixing of birds and windmills in the piece led one viewer to tell me about bladeless windmills – I’d never heard of them. Similarly, the archway of drawn light bulbs, meant to look radiant, includes dated-looking bulbs, not energy efficient—what was I thinking? Yet the incongruity in the drawing feels right during Covid-times, because nothing now is right, and we’ll never have a climate change-free utopian future or the perfect technology to make it so, but, as in this drawing, we still should try.
I also created a collage piece, titled Phoenix Rising (left), that merges silhouetted hands as birds rising from the archway made of orange and yellow thread, representing fire. This piece evolved over time. I didn’t know what it would be until I had painted and glued down several layers of cloth and thread. When I discovered the crux of what I wanted to make, I was very pleased.
Although these recent pieces are among my favorites in the show, I have also found Covid-times to be a difficult time to create art, especially on the theme of climate change.
It was hard for me to think about climate change with Covid raging. Early in the pandemic, I made a piece about Covid, the kind of piece that other artists were making too, a masked self-portrait (above). As I thought about including a piece about Covid in this show, I remembered the quote from climate activist Naomi Klein, which I used in Blog 3, that “every disaster contains every other disaster within it. Every fire is a conflagration of all the other fires.†And so, it seems. Climate change is likely to bring more pandemics; both climate change and pandemic disease bring greater harm to people already harmed by racism and economic inequality; and the ongoing crisis has destroyed the jobs especially of those who are already poor. An impending climate crisis, a raging pandemic, a painful economic crisis: disasters within disasters, fires within fires.
In my art-making world, Covid-days are long, but the days fly by. My creative process is like moving through molasses, and I suspect I’m not unique. Early on in the pandemic, I couldn’t get anything done. What I felt done with, though, was climate change as a theme, at least for a while, and done with Covid in my artwork, too. I wanted to make small drawings on paper. I would try to make a piece every day (that didn’t happen), and I wanted to experiment with gouache. I made seven little drawings as part of this goal, some with pen and some with a combination of pen and gouache. While these drawings didn’t overtly further my climate-related theme, making them was therapeutic, and I included them in my climate change show anyhow.
In my next and final blog in this series, I’ll conclude with some thoughts on poetic images, and on how I hope viewers will find my exhibit interesting to look at. Â
Visit my exhibit in-person at the Lawrence Arts Center, now through Dec. 21, 2020. Original art and artist prints, suitable as gifts, are available for purchase. Hours are M-Th 9am-9pm, F-Sa 9am-7pm, and Su 1:30-7:30 pm. As Covid-19 rages on, the Arts Center is pretty low-key these days and it is likely that during a random visit to my exhibit you may find yourself alone in the space. If you would prefer a virtual tour, scroll down the page at this link, courtesy of the Lawrence Arts Center.
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Blog 3: Symbols and Themes
This is the third in a series of blogs about my current exhibit, Sound the Climate Alarm, on display at the Lawrence Arts Center now through Dec. 21, 2020. Here are links for the first two:
Blog 1: Artist Statement: Sound the Climate Alarm
Blog 2: Roots of Sound the Climate Alarm
Symbols and Themes
In my last blog, Roots of Sound the Climate Alarm, I described the sources and background of the first ideas for this exhibit. In this blog, I’d like to share about some of the symbols and themes that have emerged in my newer work for this show.
While I have included images of birds in my artwork for many years, more recently I have focused on cardinals. Everybody’s familiar with cardinals and, because of this, images of cardinals have a shared resonance. Four drawings in my show include cardinals. For me, cardinals are versatile characters, sometimes messengers, and sometimes harbingers of joy and Spring. I also include other birds in my artwork, too, often generic-looking birds that represent an assortment of ideas including freedom, the kind of freedom that I imagine goes along with flight, such as the ability to traverse barriers like walls and fences. In two small drawings I exaggerated the wings of a bird in flight to represent a mixture of effort and joy, and in another I exaggerated the wings of a sitting bird (right) to represent a mixture of exhaustion and rest.
I have included images of paper boats and paper cranes in my artwork for several years. I view the paper boats as both fragile and resilient. I’ve used the boats in two pieces that signify the effects of extreme weather; in one a paper boat is on fire (above left), and in another the paper boats are rocked around by a storm or flood. I have a few more weather-related pieces in the show, too, one that includes wind blowing a bird nest from a tree (above right), one of rain in the presence of a curiously yellow rainbow, and one showing a windchime whipping around in the midst of a microburst.
I made a small installation of drawings of paper cranes for this show, too (left). Many of us grew up learning one or another version of the story of Sadako and the paper cranes. Sadako, a Japanese girl, was a victim of radiation sickness from the atomic bomb dropped by the U.S. on Hiroshima. She tried to fold a thousand paper cranes for good luck and long life, but she did eventually die from leukemia. Over time, the paper cranes have become a symbol for international peace, and that is how I use them in my art.
In the drawings that comprise the installation, I was experimenting with drawing a paper crane every day as a ritual. I began the drawings when President Trump was threatening airstrikes on Syria, which he later ordered. As I drew, I was thinking about the meaning of the cranes and, on some days, drawing became a kind of meditation. The daily drawings were also a way for me to practice drawing and become more fluid with drawing. So, the paper-crane installation is a documentation of that process
Several pieces in the show include images of fences and razor wire (above left and right). These pieces reference prisons, the border wall, detention centers, Guantanamo Bay and, in one, titled ICE (above right), immigration policies like family separation that violate human rights. Naomi Klein recently tweeted, “there is no such thing as a singular disaster anymore – if there ever was. From Covid to climate, every disaster contains every other disaster within it. Every fire is a conflagration of all the other fires.†In my show, I try to make a similar point, that climate change-induced extreme weather events contribute to people’s need to migrate, and inhumane immigration policies deepen the crisis: fires within fires, disasters within disasters.
I also use arches or archways as symbols. In the exhibit, I use arches in three small mosaics (above), several drawings and a collage. Arches can symbolize doorways, or openings, or passageways. I think of them as a symbol for life and hope. They also symbolize safe passage through barriers, maybe even mental barriers. Some of my arches also appear as rainbows, a symbol of promise or hope in some religious traditions.
In my next blog, I’ll share about the art that I have made most recently for this show, made during the pandemic, and how the pandemic has affected my creative process.
Visit my exhibit in-person at the Lawrence Arts Center, now through Dec. 21, 2020. Original art and artist prints, suitable as gifts, are available for purchase. Hours are M-Th 9am-9pm, F-Sa 9am-7pm, and Su 1:30-7:30 pm. As Covid-19 rages on, the Arts Center is pretty low-key these days and it is likely that during a random visit to my exhibit you may find yourself alone in the space. If you would prefer a virtual tour, scroll down the page at this link , courtesy of the Lawrence Arts Center.
Blog 2: Roots of Sound the Climate Alarm
This is the second in a series of blogs about my current exhibit, Sound the Climate Alarm, on display at the Lawrence Arts Center now through Dec. 21, 2020. The first blog in this series is available at this link:
Roots of Sound the Climate Alarm
My exhibit Sound the Climate Alarm includes drawings, mosaics, and collages on themes related to climate change, animal extinction, barriers, border walls, and the pandemic. My focus on climate change and related themes goes back about six years, to 2014. That summer, I had a small exhibit at the Phoenix Gallery in Lawrence called Animals. I had just read Elizabeth Kolbert’s book called The Sixth Extinction, and in it she describes and explains the mass extinction of animals that is going on today and all of the ways that this process of mass extinction is caused by human activity, including killing animals for feathers and tusks, spreading invasive species, destroying habitats, and climate change.
I began making mosaics and drawings in scratchboard and clayboard about extinction. One piece, a mosaic included in the Animals exhibit that is not in this show, focused on robins sitting in a tree (above). While one robin is in full color, the others are obscured or silhouetted to suggest that they had been here but now are gone. I also created some small black-and-white scratchboard drawings of animals in cartoon-like scenes, where the animals are leaving, or being disrupted and carried off by the character Death. I included one of these in my current exhibit, titled Death with Chicken (below), and the influence of Death appears in a more recent piece, too, Death with Cardinals (left).
Another influence on the early work in this exhibit, also from 2014, was a local community event called The People’s Climate March Maker/Speaker Party (left). I served on a committee that helped produce this event, a solidarity event with The People’s Climate March in New York City. At the march in New York, as well as at solidarity events around the globe including ours, there was a moment, at noon eastern time, where the hundreds of thousands of people gathered at the march paused to make the loudest noise they possibly could as a way to “sound the climate alarm.†The folks at the march made a huge noise; they whooped and hollered and used everything from sirens and honking horns to instruments and party blowers, to make a very loud noise.
After this experience, I became interested in the phrase “sound the climate alarm,†and made some art based on these words (right). I may have latched on to this phrase because I enjoy visualizing sound in my art, similar to how a cartoonist might visualize sound, where marks and lines stand in for the plinks, pops, buzzing, music or anything else I want the audience to visually hear.
More of those first “sound the climate alarm†pieces are in this show, too, including a mosaic with birds (below left) whose shapes are silhouetted to indicate presence and absence, with colored lines coming from their beaks to represent sound, and the sound then moves in and around human ears. If we really could hear the climate alarm, what would it sound like? Maybe the climate alarm sounds like birdsongs.
I included visual-sound in a few other “climate alarm†pieces too, including a couple small pieces with people disrupting birds with party blowers (above right), and in the piece Death with Chickens that I mentioned earlier, where Death chases a Prairie Chicken with a blaring-saxophone. The images of people blaring horns and instruments are a way to indicate the hapless disruption of animals by people unaware of their own destructive activity.
Additional influences on the work in this show include projects completed between 2014 and 2018 that are not a part of this show but share environmental themes, including two mosaic installations – a mosaic mural at the Free State Brewery in Lawrence, Kansas, and an installation of six small mosaics (above) at Bethel College Mennonite Church, in North Newton, Kansas. Also, in the Spring of 2016, I worked closely with a committee who facilitated a large-scale community project called Heating Up: Artists Respond to Climate Change (right). It was a month-long series of cultural and educational events that involved more than fifty local artists, poets, and musicians, along with faculty and students from Lawrence’s two universities, and representatives from arts and environmental organizations. Heating Up was an exciting project and boosted my interest in responding to climate change in my own artwork, too.
In the process of looking back at my art over the past six years, I recognize that in our society and culture, value is often measured in monetary or financial terms. But artists can represent a different kind of value through the language of art – beauty, care, alarm, loss, grief, pathways, possibilities. In my next blog, I will share ideas about how I have used themes and symbols as part of this language in the more recent work that I have in this show.
Visit my exhibit in-person at the Lawrence Arts Center, now through Dec. 21, 2020. Original art and artist prints, suitable as gifts, are available for purchase. Hours are M-Th 9am-9pm, F-Sa 9am-7pm, and Su 1:30-7:30 pm. As Covid-19 rages on, the Arts Center is pretty low-key these days and it is likely that during a random visit to my exhibit you may find yourself alone in the space. If you would prefer a virtual tour, scroll down the page at this link, courtesy of the Lawrence Arts Center.
Blog 1: Artist Statement: Sound the Climate Alarm
UPDATE: The exhibit “Sound the Climate Alarm” will be on display at the Lumberyard Arts Center in Baldwin City, Kansas, from Aug. 20 – Sept. 14, 2021. The public is invited to an exhibit reception on Sat., Sept. 4, 5 – 7pm. Gallery hours: Tues. – Fri. 1-4pm and Sat. 9am-noon.
This is the first in a series of blogs about my current exhibit, Sound the Climate Alarm, on display at the Lawrence Arts Center now through Dec. 21, 2020. My first blog, below, includes the artist statement that accompanies the show. In subsequent posts, I will share about the themes, symbols, and ideas in my work, and how I came to these through the creative process.
Artist Statement: Sound the Climate Alarm
In my drawings, cardinals honk and chickadees sing razor wire. Death chases a prairie chicken with a blaring saxophone. Animals drawn from memory reveal the loss we find when we are without them. Origami cranes, an international symbol for peace, fly over walls and meander through chain link fences. The cardinal’s song is visually amplified as a message of hope and renewal. A car with loudspeakers blasts an unusual wish for the world. Mosaics portray archways as a symbol for barriers with a way to pass through. Less an attempt to teach than an effort to explore the emotional states connected with an awareness of climate change, animal extinction, and related social stresses, these emotionally packed drawings, collages, and mosaics express alarm, despair, joy and possibility. With a sense of beauty and compassion, my art encourages the viewer to “listen†with a heart open to creating a future where there is enough to share and compassion for all.
Visit my exhibit in-person at the Lawrence Arts Center, now through Dec. 21, 2020. Original art and artist prints, suitable as gifts, are available for purchase. Hours are M-Th 9am-9pm, F-Sa 9am-7pm, and Su 1:30-7:30 pm. As Covid-19 rages on, the Arts Center is pretty low-key these days and it is likely that during a random visit to my exhibit you may find yourself alone in the space. If you would prefer a virtual tour, scroll down the page at this link, courtesy of the Lawrence Arts Center.
Find all five of the blogs in this series at the following links:
Blog 2: Roots of Sound the Climate Alarm
Illustration for KANSAS! magazine, Winter 2020
I really enjoyed making an illustration for KANSAS! magazine for their story, “Iconic Homes of Kansas,” for the Winter 2020 issue! Stop by the Lawrence Arts Center between now and December 21, to see the original illustration on display in my exhibit Sound the Climate Alarm.
Exhibit, talks, and virtual tour of “Sound the Climate Alarm”
“Sound the Climate Alarm,” my exhibit of drawings, collages, and mosaics on the theme of climate change at the Lawrence Arts Center, is up and running and open for visitors! See the exhibit in person now through Dec. 21 (masks required). Gallery hours are M-Th 9am-9pm, F-Sa 9am- 7pm, and Su 1:30-7:30 pm.
Take a virtual tour of my exhibit, courtesy of the Lawrence Arts Center, at this link.
Sign up for a gallery talk at the Lawrence Arts Center, on Nov. 19 at 6:30pm or Dec. 5 at 4pm, at this link . Talks will be limited to 10 people; attendees must wear masks and practice social distancing.
(photo courtesy of the Lawrence Arts Center)
Exhibit at the Lawrence Arts Center, Oct. 30 – Dec. 21, 2020
I am excited to announce the opening of my exhibit at the Lawrence Arts Center titled, Sound the Climate Alarm. The exhibit runs Friday, Oct. 30 – Monday, Dec. 21.
Visitors are welcome to come and see the exhibit in person. But sadly, in Covid-times, there will be no opening reception. There will be a virtual tour led by gallery director Ben Alvers, of my exhibit along with the exhibit of artist Lindy Chambers and an author interview with Marla Arna Jackson, at 6pm on Friday Oct. 30, from the arts center’s Facebook page or YouTube channel. The virtual tour will be archived at the YouTube link for later viewing as well.
I am also offering in-person artist talks, limited to ten people per talk, on 3 different dates that you can sign up for. The talks will be: Sunday, Nov. 8 at 2pm; Thursday, Nov. 19 at 6:30pm, and Saturday, Dec. 5 at 4pm. Here is the sign-up link.
The arts center is pretty low-key these days with limited in-person activities and social distancing, and masks are mandatory. So I really hope you all can find the time to come out and see the show.
Here is the announcement on the Lawrence Arts Center’s website.
#maskselfportrait
